OOTB Presents… Edinburgh’s best live music!
Hi there!
So, first of all, the multitalented Tom Watton wrote a review of OOTB 453, so if YOU were one of the people who, through no fault of your own, were unable to make it to OOTB 453 due to pressing commitments of an unreschedulable nature, then you too can relive the excitement, the glory, and yes, the heartfelt emotion, of OOTB 453 through the passion of Tom’s words, and you can read that review just beneath this very bulletin.
And the next thing i wanted to mention to you was the results of my little reader survey. For those who don’t know, last week i mentioned that i would like to know how many people read that particular email, and i said if people could just click “reply” it’d give me an idea how many people read it that specific week. So out of 911 subscribers, 22 people responded, and consequently i sent each of them links to several exclusive mp3s of my own music, as promised. That’s not bad actually, i choose to believe (though it does represent only 0.24% of our subscribers). Of course there will be a certain number who read the email, but didn’t reply (due to having wild and crazy lives, or possible memories like collanders), and there will be a certain number of people who read the OOTB email occasionally but who didn’t read that one. I do think that 22 to 30 is probably a representative number of people who read the email in any given week though. SO if you are a person who is reading this week, and you didn’t email me last week to get your free mp3s, do it now. I would be quite interested to see how many second wave emails i get from people who read this week (apart from anything else, i want to see if the promise of a review in the subject line enticed more people in than last week). And i’ll stop hassling you about it after that.
So, given that the 22 of you who did reply tend to keep your fingers on the pulse anyway, i don’t think i’m going to spend my morning listing all the events i know about meticulously. I’ll give you a list of links, check them out if you fancy it. I will however trumpet about this week’s OOTB and this week’s Edinburgh Unlimited.
This week at OOTB it’s Confushian. Confushian‘s performance at Edinburgh Unlimited was excellent (though sadly undersubscribed), so you get one more chance to hear Confushian playing live this year and it’s at OOTB this Tuesday (13 December). Come along for 7:30pm if you want a chance of a slot to perform, and the festivities start at 8pm.
I might mention in passing that OOTB is moving from Tuesdays to Saturdays starting in January, for those of you who are reading this now and who didn’t see me mentioning that over the past couple of weeks.
And on Wednesday 14 December it’s Edinburgh Unlimited. It’s only £2 (we’re putting it up to £3 in January) and this time there are FIVE acts. Honestly. What more could we be doing to please Edinburgh’s music going public? So the five acts are: Lisa Rigby, Jill Hepburn, Caro Bridges, Nick Splinter Smith, and Calum Carlyle. A proper OOTB takeover, in a way. So doors open 8pm for an 8:15pm start. Don’t be late, you’ll miss it. We’ve got to be finished by 10:30pm so fashionable latecomers, it’s at your own risk. And that’s at Medina/The Third Door/Downstairs in Negociants/Round The Corner From Forest/It’s near Bristo Square. Even if you don’t/won’t/can’t come to this, please forward the invite to anybody you know who might want to come. We’re a grass roots event, and we put on good performers for minimal money but we need to get the word out. YOU are our only hope to do this effectively.
Oh yes, i also wanted to mention Ben Young’s Atheist Advent. He’s writing a song a day from 1 to 24 December. This is the third and final year he’s doing this intensive songwriting challenge. You can hear the songs so far, and give him feedback and encouragement on his site here: http://www.atheistadvent.com/
And here’s a list of links to other stuff that’s happening this week. It’s all good stuff. Hope you enjoy:
http://www.facebook.com/n/?event.php&eid=123956567719890
http://www.facebook.com/n/?event.php&eid=266970676685205
http://www.facebook.com/n/?event.php&eid=204210009660562
http://www.facebook.com/n/?event.php&eid=147708235328662
http://www.facebook.com/n/?event.php&eid=148004061966512
See you out there in musicland,
Calum Carlyle
Out of the Bedroom
Out of the Bedroom #453 Review by Tom Watton
Well number 453 has come and just as the minute hand approaches 58 minutes and the hour hand points to marginally before the hour of 8, the evening kicks off… WHOOP WHOOP.
JILL HEPBURN
To start proceedings we have Jill Hepburn playing solo banjo and vocals. The combination of banjo and vocals sends you straight to mid 19th century North America.
Jill started the set with a song named “Going away for a while”,which had a ‘singalongability’ rating of 4*s. Jill has a floaty voice and a nice and simple song-writing style, which is delivered with confidence. One suggestion I might have, and I have for many acts is “Get a strap and stand up!”
JOE WILSON
The next act on is Joe Wilson, who I first saw a few weeks back. Joe writes songs with amazing rhythms, almost comparable to the great Richard Thompson. The first song was screaming out for some band arrangements and harmonies, but nevertheless Joe played them with such fervour that it didn’t take much imagination to conjure the fuller sound….
…And then as if by magic in Joe’s second song, Joe’s used a loop pedal to fill out the introduction of the song, in a well rehearsed manner. Now I am normally sceptical about the use of loop pedals to multi layer live performance, this being down to hearing lots of acts playing crap guitar solos to not quite in sync rhythm guitar. I am happy to say that Joe did not leave this impression in fact it was very impressive.
Joe’s last song “Since Three Days Ago” is a song inspired by the Christian Easter story, and was reminiscent of a 1980′s Lloyd Webber style production, with the use of particular melodies with sweeping cadences. NICE.
MARIE NAFFAH
Marie has come all the way from the great city of LONDIN, to play her own brand of pop music. With three well constructed songs for us to listen to my particular favourite song was ‘Mr Busy’ which could have been written about our very own Mr Busy the great Calum Carlyle.
Marie opened her set with a song about Magpies…one for sorrow etc. with simple rhyming couplets and language it would make a good pop song.
Marie has a good stage presence and a very clear spoken voice, which is a pleasant change from a lot of acts who do not annunciate between songs. Marie was keen to promote her facebook page and website in order to get new likes etc. so check them out they are well worth a look!
http://www.marienaffah.co.uk/ https://www.facebook.com/marienaffahmusic
and now for something completely different…
JAMIE AND SHOONY
Jamie and Shoony are two cheeky chappies who are finding there own styles through live performance. They have great energy on stage and there songs while maybe a touch over youthful are all very upbeat.
Sun Shining Down, the first song transports the listener to a Seafront promenade, not unlike the ones I grew up near in Scarborough, and has you observing bikini clad girls through the eyes of two distracted 16/17 year old teenagers with the horn. This song is very proclaimers.
The second song “Take a look around” is a better song, and could have benefited from a major funk up in the style of the Blood Suga Sex Magik album by the RHCPs. Although at least Jamie can be proud that over three songs he is a better live singer than Keidis.
Been Everywhere brings out the Little Richard in Jamie as he performs a dance routine which would make even James Brown proud.
CLAPPALONGABILITILIZATIONALISM Rating of 3*s
THEN ONTO THE SQUASHIES – yes once again the list was full by 7.20pm ! Aren’t we popular?
First Squashy
NICOLE STRACHAN
Nicole is embracing her own unique singing strengths, in that she sounds a bit like Bob Dylan, and Bod Dylan sounds best when saying lots of words closely together.
Nicole got through the tongue twister of her new song without error (with the exception of missing the last chord). But I was impressed anyway, Nicole does seem to be developing a style and improving week on week.
Second Squashy
DUNCAN SUTHERLAND
As well as been a thoroughly nice person, Duncan is also a brilliant guitarist, singer and songwriter, despite being left handed.
Having met Duncan at the blue blazer a few weeks I knew we were in for a treat. Duncan didn’t disappoint, playing a well executed new song, a melodic waltz with a mix of Muse/Radiohead falsetto vocal notes, which ended with a time signature change, which flowed without particular trouble. 4*s, a definite feature slot for the future.
Third Squashy
PAUL CHILVER
announcement: has anyone lost a grey glove on the number 23 bus? If so talk to Paul.
Sutherland Beach is another song in 3|4 (or in waltz for the less numerically gifted), Paul really does get better week by week, and he is now standing up and getting on with it. It won’t be long until Paul is flying into OOTB for a featured set.
And now for our featured act of the evening…
JAMIE HEY
Jamie has been coming to OOTB for over six months bringing with him, his mad max style mix of Brendan Perry (dead can dance), Paul Weller, Graham Coxon (Blur) and Jarvis Cocker.
Jamie’s set has a theme of getting slower and lower or faster and madder, its a nice theme, one which I like a lot.
I think Jamie’s voice is second only to the low rumblesome tones of the venerable Fraser Drummond, and on his lowest notes brings out the best tones to come out of the OOTB PA system for a while. (I like bass).
Jamie’s set moved into a foreign language session and fortunately for the OOTB Review Readers I was sat next to Paul Chilver the walking Colins Gem foreign language dictionary who provided some translation services for me….
“Twai(?) ochi son un paradiso” could be your eyes are a paradise (o)
and in the dirty French song (my name for the song) apparently the hook line words were…
“The fear of communism is an insincere fear” words which I personally agree with.
In his last two songs Jamie managed to play a ‘standard song’ that is a song with a recognisable verse and chorus, I think Jamie played this just to put to bed any doubts that Jamie could only muster an obscure yet desirable ‘other-worldy’, folkstyle, captain beefheart & John Care influenced atmospheric and moody music. BRILLIANT.
Back to the open slots
DARREN HENDRIE Naka (Not also known as) “Doctor Daz”
Darren’s twelve string Eko guitar is one of a kind. To quote a friend (broken tooth) “eko’s go one of two ways… they get old and sound shit, or they get old and sound great”. Well I think that Darren’s old Eko sounds like a warm vinyl record player, played in-front of a candle lit fire place.
Words I struggle to speak features a great riff with brilliant words. Darren will be playing a featured set at the Listening room early next year, so look out for him. Although he is modest about his musical accomplishments, he really has no reason to be. And for the love of Christ Darren. STAND UP!
Next we have
ANI
Ani is new to the new look modern OOTB, although I believe she has been to TRON at some distant point in the past.
Ani really knows how to make an impact. Stunning vocals, nice songs and in the words of Nyk Stoddart, professionally beautiful. “she really knows what she is doing”.
Ani proficient on a guitar to the point that she can cope with an out of tune bottom E, competently bending notes to bring them into tune.
Wow.
(AT this point I should point out that I was becoming ‘influenced’ by liquids so my review may become somewhat sparse… but never mind, I shall do my best to de-fog my memory of the end of the evening and tell you in in the form of a fantasy tale….ONCE UPON A TIME…not really!)
NICK
Nick and Ani came on time and managed to secure the last couple of slots and then stayed and enjoyed the whole evening in a manner that everyone should. Its nice to meet such friendly and enthusiastic people.
Nick was good and well worth the wait for us to listen to, although the room was a bit quieter by the end of the evening, everyone enjoyed nicks lyrical style and guitar technique.
SQUASHY Four
BROKEN TOOTH
Despite insisting that he wouldn’t play because of a lack of practice, I managed to persuade Jim to play a song and he did. Having not played in a few months here at OOTB, or anywhere else, Jim played a great song which I found most agreeable.
THE FINAL SET FROM
SIR TOM WATTON (yes from me)
Since I was reviewing the evening, it seems a tiny bit rude to review myself, but needless to say, my new songs great, my old song is classic and all things (drunkenness) considered it must have been amazing.
Welll Th-Th-Th-Th-Th-Th-Th-Th-Th-Th-Th-Thats All FOLKS!