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Thanks to everyone who came along to OOTB 645 – a busy night, and Cera Impala and all the musicians were on fire! A great time was had by all. ?

Cameron Phair in Russian hatFeatured act for OOTB 646 at Woodland Creatures on Thursday 4th May is popular songwriter Cameron Phair. Cameron is a well known, experienced and confident performer out there in musicland, and hosts open mic events, such as Live at The Loft and Whistlebinkies, regularly around Edinburgh. His songs are catchy and soulful with an indie folk/pop/rock flavour carrying influences such as Ron Sexsmith, Spiritualized, The Beatles, Fleetwood Mac, Bob Dylan, Oasis and Jeff Buckley. Get yourselves down to Woodland Creatures this Thursday to witness an amazing set of songs from Cameron.

There will be open slots for most of the evening between 10 and 15 minutes in length. Sign up at 7:30pm and the show kicks off at 8pm. Original material only and free entry as always. You will be reviewed… watch this space!

See you there…

OOTB ?

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OOTB 645 – 20th April – Cera Impala

Posted 12/04/2017 By admin

Out Of The Bedroom’s third night at Woodland Creatures on Thursday 20th April is going to be a special one! The feature act is someone who very rarely plays intimate concerts in Edinburgh and we feel privileged to have her playing at OOTB this evening.

Songwriter and multi-instrumentalist Cera Impala is a banjo-, ukulele-, and guitar- wielding mama who oozes wild style. Her voice is unique yet timeless, with writing style just as magical. She creates songs that feel instantly familiar. Born in Flagstaff, Arizona she has made many places her home since ’94 when she left – from Portland, Oregon, to New York City, to all over California, Olympia, Washington – which explains the eclectic mix of musical styles in her songwriting. Cera performs with her hand-picked band, The New Prohibition and can also be found performing and recording with indie-rock band Dark Green Tree and singing with the queens of harmony and sass, The Bevvy Sisters.

There may be some special guests in the audience too… perhaps even a future / serving politician or two singing along! Expect some members of the audience to have something of a Green hue about them.

Slots as always are up for grabs if you fancy a bit of stage-time. Sign up from 7:30pm and we’ll get the first act on at 8pm. Original material. Our feature act Cera Impala will be on at 9pm.

Will be great to see you there…

OOTB  ?

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OOTB 644 – 6th April – Aaron Wright

Posted 31/03/2017 By admin

Out Of The Bedroom got off to a good start at our new venue last time with thanks to those who turned up to perform, watch and listen. For this Thursday we have booked an amazing and well known headline act.

Edinburgh’s very own Aaron Wright is a rather talented and charismatic singer/songwriter whose music has a mix of alternative folk, country and pop amongst other influences. Aaron released his first EP ‘Behold A Pale Horse’ which features his popular song ‘Go On Yer Self’ and later followed by his self-titled debut album. More recently Aaron released his second album ‘Flying Machine’.

He’s had radio-play from the likes of Billy Sloan and Vic Galloway, is signed to a Glasgow-based record label and has played festivals all over the country. So it looks like we’re in for an incredible performance.

Here’s a link to Aaron’s music: soundcloud.com/aaron-wright-uk

Slots as always are up for grabs if you fancy a bit of stage-time. Sign up from 7:30pm and we’ll get the first act on at 8pm. Original material.

Will be great to see you there…

OOTB  😀

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The first night in our new home of Woodland Creatures and our new day of Thursday fortnight – very exciting! The compact, bijou and attractive back room attracted OOTB-ers familiar and new and it was a most interesting evening of contrasts. James Igoe was your host for the evening, taking photos of the evening

Tina Louise Avery was first up and played three wonderful songs. Tina has been on a musical roll recently with a successful benefit gig for WaterAid she organised just two days before and a great performance with Vincent Gauchot last OOTB, as well as playing the Danny Kyle stage at Celtic Connections. ‘Riverman’ sounded amazing on banjo and the other two songs were haunting mellifluousness.

I saw Suhail for the first time this evening, though this was not his OOTB debut. ‘Can’t Get You Out Of My Head’, a classic theme of an obsession with a girl, was reminiscent of the melody and energy of mid ‘90s British chart music (often referred to as “Britpop”). ‘Every Monday Morning’ was another pleasant slice of pop about “doing right” on a Monday morning – mysterious? Two short and sweet songs. Come back soon, Suhail.

Michael, like Suhail, has no web presence so we get to keep him to ourselves – great! Unfortunately his long-term music partner Geoff is unwell so this was Michael’s first solo performance. ‘Japanese Lady’ was a heartfelt love song for, unsurprisingly, a Japanese lady. A ‘50s rock ‘n roll style ballad ‘Please Don’t Turn Around’, about a tearful breakup, tugged at the heart strings. The finale finished us off – ‘Butterfly’ was dedicated to his late wife who he imagined had turned into a butterfly that landed on his shoulder one day. A very popular set – not a dry eye in the house.

Colin Whitelaw had a drinking theme running through his songs. Yes, Colin is Scottish! ‘I’ve Been Thinking’ was about how bad drinking is but how it can get you through the day. Some great chords here. ‘Sunday Afternoon’ was not about drinking but it was a sad song about lost love – bucket loads of character and feeling. ‘The Scottish Tango’ (aka ‘Chips for Tea’), about drinking and the Scot’s favourite food of choice from a chippie on the way home, is probably Colin’s most well-known song. It went down a treat and a fine way to end part one.

After the break, part two started with Frankie Sparks of The Orange Walls from Atlanta, Georgia singing songs that were bona fide Americana. Frankie is in the construction trade and he looked the part with his beard, tattoos and muscular frame – not a man to be messed with! The guitar playing ‘Heart’s Too Heavy’ was very professional and influenced by Merle Haggard, Patsy Cline and Kris Kristofferson. Not the usual OOTB influences and Frankie was genuine in his delivery. ‘Doing Dixie’ was a somewhat crass but humourous tale of “knocking up” a girl in a cheap grocery store for a bet. As you do. ‘Whisky’ was about lusting after a girl – “she’s so good at doing bad” – and I think I could hear this on Whispering Bob Harris’ Radio 2 country show. Great debut from Frankie.

Legendary OOTB soundman Jack Blimey was next out of his chair with ‘Tuesday’s Child’ about Copenhagen in 1928. A dense lyric with great choppy guitar playing by Jack in his inimitable style. ‘Another Prisoner’ had reverberating guitar and lyrics. Similarities with ‘The Partisan’ (a French folk song famously covered by Leonard Cohen) in terms of feel and lyrics focusing on the persecuted – in this case an unknown prisoner. ‘Demolition Street’ is written in stream of consciousness style – as dense, complicated, and opaque in its meaning as a Bob Dylan classic.

Roisin Russell – long time no see! It was great to have Roisin back and also, for Tina and all of the regulars, it was nice to have more than one female voice for a change. ‘You Don’t See Me’ was an emotional tale of being taken for granted and bullied but ultimately finding the strength to get out of a bad situation. Powerful stuff.

We were fortunate to have the wondrous Jim Bryce this evening. Not only as his music is great but, as he had just played a Pressure Valve gig nearby, thankfully he had the mojo to play two gigs in the one night. ‘Oh Yass’ was about the stereotype of the Brit abroad – an aural tour of the world with a bit of ironic ‘Rule Britannia; thrown in. The social awkwardness of train travel was explored in ‘Train Talk’ – Jim actually talks to strangers on a train being a truly gregarious human being. Jim’s set ended on a melancholy note with the beautiful ‘Grieving’.

I, James Igoe, played ‘Inga’s Eyes’ to end the evening.

So we were all happy with the new venue and that the performers like it, and relieved that the first night was not a disaster!

See you all here at this great Leith Walk venue some time soon.

James Igoe

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Out of the Bedroom at Woodland CreaturesEdinburgh’s longest running open mic night Out of the Bedroom is moving to Woodland Creatures this Thursday!

Come along and help us celebrate by playing your own songs or enjoying the great songs played by others.

Starts 8.00 pm, with sign up from 7.30 pm. Entry is free and performers get a free drink.

 

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OOTB 643 – 23rd March – New Venue!

Posted 18/03/2017 By admin

It’s all go and all new for Out Of The Bedroom. We would love you to come along to help us celebrate our new venue at Woodland Creatures (260-262 Leith Walk) this Thursday. That’s right, we moved from our once monthly Tuesday evening to Thursday evenings now every fortnight.

To start our first evening we are dedicating it to a night of open slots, so there should be enough for all you performers out there to have a bit of brand new stage time. We’ve kept our usual start time of 8pm and signing up for a slot is from 7:30pm. You even get a free drink for performing!

OOTB is open to all varieties of performers as long as any material used is original.

Another reminder that Hailey Beavis’s night The Critter Session runs fortnightly at Woodland Creatures on the other Thursday which means that there will be a seamless transition of talent every Thursday from now on.

Good vibes and good times are ahead and it will be fantastic to see you all there.

OOTB  😀  😀  😀

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New venue: Woodland Creatures

Posted 07/03/2017 By admin

BIG news from Out of the Bedroom… we’re moving to Woodland Creatures on Leith Walk! We’re moving night from Tuesday to Thursday, moving to every fortnight and musicians who play will get a free drink at the bar – woo-hoo!!

First night will be Thursday 23 March – put it in your diary! We will be running at the usual time of 8pm start, sign up at 7.30 (original material only, you know the drill!).

Hailey Beavis’s excellent night The Critter Session runs fortnightly at Woodland Creatures on the other Thursday which means that there will be a seamless transition of beautiful music every Thursday for musicians and music lovers. 

The last event at The Outhouse will be on Tuesday 14 March. Come along for the goodbye and join us an imaginary, very slow conga at the end of the night out of the door down the road to the magic of Woodland Creatures nine days later.

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OOTB 641, Tuesday 14 February 2017

Posted 16/02/2017 By reviewer
OOTB stage at Out of the Bedroom 641

Valentine’s Day 2017 and we were feeling the love from the Out of the Bedroom stage tonight. There was no obligation on the musicians to play songs commemorating the 3rd Century saint’s day but there were some notable tributes made.

Line-up: Vincent Gauchot, Nicholas Loveridge, Rui Alma, Tina Louise Avery, Jack Blimey, Nyk Stoddart, James Igoe.

 

Vincent Gauchot at Out of the Bedroom 641

Vincent Gauchot

Host for the evening was Vincent Gauchot who claimed the first slot, playing three instrumentals. The amazing ‘1001 Univers’ sounded like two guitars being played with an overdub: a rich, full, wonderful sound. The stage lights tonight changed colour in response to changes in sound which Vincent, and others, found a bit disconcerting but it brought a bit of psychedelia to proceedings! Talking of which, next up was ‘Kaleidoscope’, about living in Montreal and the extremes of harsh winters and hot summers. Impressive harmonics and a deeply atmospheric tune. ‘Silver Lining’, “a song about memories”, was a wistful, John Martyn-esque number with hints of Scottish folk music and several time signature changes. A great start to the evening: note to self – get along early to see Vincent when he is hosting.

Nicholas Loveridge at Out of the Bedroom 641

Nicholas Loveridge

Australian Nicholas Loveridge made his OOTB debut, showcasing his “baby” guitar – a guitarlele – and tonight may also have been the OOTB debut for that instrument. ‘Drunken Dissorder’ was a fun song with lots of “ba-baps” and “da-das” and was written some time ago in his not-so-distant youth. It was notable how much Nicholas used his body, including some intense facial expressions, and that is a powerful way to convey a song to the audience. ‘The Ukulele’s Perspective’, an instrumental with nice dynamics, was written when he bought a ukulele in Hawaii. Getting into tonight’s theme, ‘A Folk Musician’ was a “love song of sorts” which was a dancey number – funky and folkie at the same time – which seemed to be about becoming a folk musician to make someone love him (little does he know…?). Nicholas also played a memorable set at The Listening Room’s 15th birthday on Sunday – catch him in Edinburgh while you can.

Rui Alma at Out of the Bedroom 641

Rui Alma

Rui Alma was our second debutant of the evening, playing a couple of tunes improvised on a structure he had been working on. Unusually, perhaps uniquely, this was the third act in a row to play an instrumental as Rui opened with an intense flamenco-influenced, Jeff Buckley-esque number on his cherry red Guild acoustic. The lights were going crazy with all the guitar dynamics and I felt like an Andalusian senorita should have been clapping and stomping along to complement his onstage energy. Next up was a song about love (hooray!) based on “the value of silence and intimacy as a riposte against the noise we deal with every day”. Contrasting with the intensity of the opener, there were some nice, tender moments here and a surprisingly pleasant four-line vocal popped up about three or four minutes into the song. ‘Hersh’ was a tribute to Kristin Hersh, ex of Throwing Muses, whose interesting arpeggios he witnessed at her Summerhall gig last year. The song had an Arabic / Middle Eastern feel with a wordless vocal (again Buckley-esque) and was very avant-garde and original – OOTB is very much the place for experimentation. Great debut and I hope to see Rui again soon.

Tina Louise Avery at Out of the Bedroom 641

Tina Louise Avery

OOTB favourite Tina Louise Avery took to ukulele this evening and was ably supported by Vincent Gauchot on regular acoustic. Tina opened with ‘Riverman’, the studio version having been recorded by Daniel Davis who was in the audience. Vocals floated high above in the stratosphere overlooking us mere mortals and the guitar/uke combo worked a treat, surprisingly Vincent and Tina hadn’t played together for a while. ‘Tea Amongst The Birds’ featured a fantastic vocal from Tina beautiful harmonics from Vincent and with the picked uke this worked a treat. ‘Love’ was Tina’s Valentine’s Day song which was deeply evocative of spending a day with someone you are in love with. A great middle eight, with top-notch picking from Vincent. Tina is glowing with confidence post-Celtic Connections and this set was a treat.

Jack Blimey at Out of the Bedroom 641

Jack Blimey

After a break came OOTB soundman for the evening Jack Blimey. First song ‘Another Prisoner’ was “almost based on a true story” about being in prison and comparing himself with another prisoner (perhaps of circumstance / location?). Jack’s songs are ambiguous and densely wordy, like early Bob Dylan, and powerful and dreamlike in the themes they cover which seem to be an alternate yet plausible version of reality. ‘Wherever You Come From’ was a rare sentimental song from Jack’s repertoire, evoking a pastoral setting. The imaginative and very well-crafted poetry conveyed a vision of rural life that was simultaneously beautiful and nightmarish. ‘Those Weren’t The Days’ was a song to Jack’s ex-wives had he been married. Jack’s electric guitar playing was both incessant and melodic with a staccato style that is very much his own. There is always a subtle, cruel humour underneath the sweetness of the vocal which this song exemplified. A unique talent who continues to improve with each OOTB performance.

Nyk Stoddart at Out of the Bedroom 641

Nyk Stoddart

Not simply a Valentine’s special, this was the tenth anniversary of Nyk Stoddart’s OOTB debut at The Canon’s Gait. Nyk opened with the optimistic ‘Trust and Hope’, and this was a mighty song – beefy, bluesy and rocking and the loudest song this evening! Some excellent blues licks with a bit of jazz thrown in, this was a great performance. The plaintive ‘Fake Jazz’, one of Nyk’s signature tunes, showcased Nyk’s genuine ability to play jazz and I’m sure the recently departed jazz icon Al Jarreau would have approved. ‘The Girl With The Bubble-Wrap Lips’ was written five years ago but Nyk is still not quite sure what it is about. A romantic song of sorts, albeit in a post-modern world. A strange world, yes, but ‘twas ever thus? Great stuff from Nyk.

James Igoe finished the evening with ‘Older Women’, his tribute to his wife Sheena. “You can learn a thing or two from older women” – ever the old romantic!

The Out of the Bedroom AGM is on Thursday 23 February 7.30pm at Kilderkin and is open to all. We’ll hopefully see you there, If not, see you all next time at The Outhouse on Tuesday 14 March!

Review: James Igoe

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OOTB 641 – 14th February – Open Slots

Posted 03/02/2017 By admin

This is not a love song. It’s an entire evening of open slots this Valentine’s Tuesday, which means without a feature act we have a handful more slots up for grabs. Grabbing slots is apparently quite common on such a special day.

So come on down to the Outhouse and play us some of those self-penned emotional songs. Sign-up from 7:30pm and we’ll start the first act at 8pm. Original material only.

Will be like tongue-tied French kissing to see you there…

OOTB  😀

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OOTB 640, Tuesday 17 January 2017

Posted 26/01/2017 By reviewer

Back to The Outhouse for the first OOTB of 2017. Backdrop left at home and no guitar tuner to be found but with a bit of soft lilac lighting and a few good musical ears and the night got underway.

Line-up: Tina Louise Avery, Sam Brown, Tau Boo, Nyk Stoddart, Jack Blimey, Freeloadin’ Frank, James Igoe.

Tina Louise Avery with Jack Blimey on desk OOTB 640

Tina Louise Avery

Compere for the evening James Igoe introduced Tina Louise Avery to the stage. Tina was to play the Danny Kyle stage at Celtic Connections the following weekend – very impressive – but withheld this information from us on the night, possibly to manage our expectations. No need, we expect Tina to be great and she didn’t disappoint. Tina started with ‘Travel Writing’ featured on The Listening Room Volume 1 and it was a very pleasant version with the refrain “I will sit by the fireside tonight” staying in my head long after the night had ended. ‘Tea Amongst The Birds’ is possibly my favourite Tina song: a haunting, beautiful piece of melancholy reminiscent of late ‘60s Judy Collins and mid ‘80s Suzanne Vega. ‘Diving Under Water’ was written after the Victoria shootings and is possibly one of the nicest sounding songs about mass murder that you will ever hear with some impressive guitar picking.

Sam Brown debut OOTB 640

Sam Brown

The first, and only, debutante this evening was Sam Brown. We were lucky to catch Sam this evening as he is off to India for three months. Song 1 was about taking the wrong path, featured the refrain ‘Sleight of Hand’ (his first two songs didn’t have titles) and was accompanied by some funky guitar playing. ‘Wisdom Teeth’ seemed to be about growing pains and had a descending guitar phrase which reminded me of early Cream. Keeping his best to last, ‘24/42’ had some impressive slap-jazzy guitar playing, reminiscent of local guitar genius Graeme Mearns. A very promising debut, I hope Sam comes back soon after his trip.

Tau Boo and audience OOTB 640

Tau Boo

The vocal ranges this evening descended from alto (Tina), tenor (Sam) to the deep bass of Tau Boo. First song ‘Daydream’ featured his trademark vocal: like Paul Robeson if he had been primarily influenced by early ‘90s shoegazing bands like Chapterhouse and Slowdive. Seriously epic and full of Zeppelin-esque time signature changes. The atmospheric Song 2 featured the lyric “catch the wind in your sails my friend”. ‘Your Eyes’ was slightly more upbeat than the previous two (lyric: “beautiful, then fade away”) and Tau had an interesting trick of making his 6-stringed guitar sound like a 12-string without any effects pedals.

Nyk Stoddart OOTB 640

Nyk Stoddart

Nyk Stoddart showed his more serious side tonight with a trilogy of reflective songs written for an intriguing new musical project. ‘Out in the Sun’ was a romantic song about a warmer time of the year and featured some excellent guitar picking from someone who knows his way around a fretboard. ‘Fly Away’ – no relation to the Lenny Kravitz chart topper – was a mellow love song with the lyric “I can’t remember a time when I didn’t want to be with you”. ‘Mystery in the Universe’ featured some demonic picking and seamless strumming with sample lyric “there is a mystery in the universe that is love”. A heartfelt set from Nyk.

Jack Blimey OOTB 640

Jack Blimey

After the break, Jack Blimey ventured from behind the sound desk to the stage with his Schecter electric guitar and showcasing his very original style of songwriting. His opening song had a sound that could be described as pleasantly psychotic English folk, while showing an understanding of the blues. ‘Wherever You Come From’ was in the murder ballad tradition of Nick Cave with a deeply poetic conversational lyric. ‘War on Terror’ talked about the beginning of World War 3 which we might be in already. I wonder if this was written as a poem? I can hear this going down well at a performance poetry session. Cracking chords and excellent guitar playing from Jack.

Freeloadin' Frank OOTB 640

Freeloadin’ Frank

Freeloadin’ Frank played just before an operation on his nondominant hand so we valued his contribution even more than usual. ‘Butterfly’, written in his back garden (currently being developed by dodgy builders), is a conversation with “Smithers” about a sunny day in May. The epic ‘King Kong’ was a love song written from the perspective of the colossal ape. This sounds like a song The Bonzo Dog Doo Dah Band could have written in their late ‘60s prime. The open mic classic ‘Magic Cornflake’ took us on an imaginary tour of the world – both inner and outer – or maybe it was just a song about a nice breakfast? Classic Frank.

James Igoe OOTB 640

James Igoe

Like Frank, James Igoe played a three-song set that would be familiar to open mic goers over the last few years. Starting with ‘Inga’s Eyes’ a “song about lust” and taboo hair-stroking. ‘Braveheart Beggar’ followed, written before his belief that Scotland should be an independent country it is a critical account of hypocritical Scottish culture in the mid-late 1990s. ‘Cowboy Song 2’, a song about travelling, was dedicated to Sam and imminent his trip to India.

Due to a slight dearth of acts this evening, those who had played earlier had another opportunity.

Sam Brown played ‘Meet The Bones’ (a play on words with “meat on the bones”?) in his jazzy style – very pleasant.

Tau Boo played again, but unfortunately this reviewer had to spend a penny so this song will remain a mystery.

Nyk Stoddart played ‘Aeroplanes’, a mainly-instrumental, acid-drenched song closer to the style of the songs when he first made his name at OOTB in the Canon’s Gait.

Jack Blimey played ‘Desolation Street’, a dark tale of a dysfunctional neighbourhood, with a chord that impressed the aforementioned local musical genius Graeme Mearns some years hence.

Freeloadin’ Frank played ‘Rupert’, his “leftie” song, noting that the protagonist Mr. Murdoch helped put the incumbent President Trump in the White House. Lyrics were updated to reflect recent political changes in the USA and UK.

Plenty of great stuff this evening, if perhaps not a classic, well-attended OOTB. A promising start to 2017 and hopefully there will be many great OOTB nights to look forward to this year.

James Igoe (review)

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